Weekly Schedule

A word on how to interpret the weekly groupings of readings:

Each week’s reading combines theory, criticism, and aesthetic texts. Your goal is to synthesize the readings. How do they relate to one another? What notion of a technology of the text emerges from each week’s readings? Consider the aesthetic texts or philosophy (if appropriate). This involves speaking synthetically but also working with individual texts and specific passages. Familiarize yourself with the text with notes, marks, etc that enable you to move around in the text. At the beginning of each class every student will summarize their posted discussion which highlights and addresses the reading material.  Our discussion will thus be in part structured by the interests of the class. The first thing we shall always do in our discussion is to articulate the argument of the criticism/theory through examination of relevant passages. Each class period will contain a 15 minute break at approximately 8:30. Following break, I will give a short lecture.

Week 1 January 11, 2018

Section One: Ground work 1/11     The Textual Condition Introductions, overview of course, materials, texts. Read in advance of class: Jerome McGann “Introduction” (3-18) and “Conclusion” (177-187) from The Textual Condition (Princeton, 1991)

Week 2 January 18, 2018

Writing as Supplement to Speech or The Priority of Speech over Writing and Western Metaphysics  Jacques Derrida excerpt from Of Grammatology “The End of the Book and the Beginning of Writing” (6-26); Barbara Johnson “Writing” (340-347) in PDF; Gertrude Stein “Patriarchal Poetry” http://files.umwblogs.org/sites/10281/2016/02/10213330/Stein-Patriarchal-Poetry.pdf Discussion Question: How might Derrida’s thesis inform a reading of Stein’s poem? Supplementary …

Week 3 January 25, 2018

Theory of the Text vs the Work (as you read these two Barthes essays, compare Barthes’s ideas to McGann’s concept of the textual condition and Derrida’s critique of western metaphysics, beginning with the issue of speech as presence, writing as absence (and all the binaries that must now be put under erasure). Are all three …

Week 4 February 2, 2018

2/1      Manuscript Text Technology Michael Camille “Sensations of the Page: Imaging Technologies and Medieval Illuminated Manuscripts”  (33-54)  from The Iconic Page in Manuscript, Print, and Digital Culture. Eds George Bornstein & Theresa Lynn Tinkle. University of Michigan (1998) PDF William Endres “More than Meets the Eye: Going 3D with an Early Medieval Manuscript” published …

Week 5 February 8, 2018

The Materiality of Textuality (the word engraved, voiced, embodied)   Modernist Poetry George Bornstein “How to Read a Page: Modernism and Material Textuality” from Material Modernisms PDF; Emma Lazarus “The New Colossus” (quoted in the Bernstein chapter) Music/song Van Halen “Tattoo” https://www.azlyrics.com/lyrics/vanhalen/tattoo.html  Bodies Women’s Bodies as Sites of Inscription Megan Harlow “THE SUICIDE GIRLS: TATTOOING …

Week 6 February 15, 2018

Gendering of Textual/Textile Production Kruger, Kathryn Sullivan. “Myth, History, and the Material World” and “The Semiotics of Cloth and Thetic (Re)Production” Weaving the Word: the Metaphorics of Weaving and Female Textual Production. Selinsgrove, PA: London, Susquehanna University Press; Associated University Presses, 2001. PDF (21-33) and (34-52) 2. Alfred Lord Tennyson “The Lady of Shalott” (1832) …

Week 7 February 22, 2018

Textual Editing/the case of Emily Dickinson, Part II Required: 1) Martha Nell Smith “Corporealizations of Dickinson and Interpretive Machines”     (195-222) from The Iconic Page 2) Lori Emerson “The Fascicle as Process and Product” from Reading Writing Interfaces  PDF in Google Drive 3) Jerome McGann Chapter Three “The Socialization of Texts” from The Textual Condition …

Week 8 March 1, 2018

This week we will discuss concepts of the palimpsest, noting references to tablets, weaving, and various writing technologies in HiE. Is all writing palimpsestic? How does the concept of palimpsest operate as feminist writing practice in this long poem? 1.H.D. Helen in Egypt 2.   Amy Elkins “A Stitch in Time: H. D.’s Craft Modernism as Transhistoric Repair.” …

Week 9 NO CLASS SPRING BREAK

Week 10 March 15, 2018

Nourbese Philip Zong! 2. Manuela Coppola “This is, not was”: M Nourbese Philip’s Language of Modernity” (17 pages) PDF 3. Katherine McKittrick “Mathematics Black Life” The Black Scholar 44.2 2014 (16-28) PDF   Textual Practice: Dan on Omeka.org Dan writes, “Archives preserve a range of cultural objects, including texts, and they are especially important for …

Week 11 March 22, 2018

Media Ecologies Part I Annette Vee “Coding Values” enculturation: a journal of rhetoric, writing, and culture Nick Montfort Taroko Gorge https://nickm.com/taroko_gorge/ Marjorie Perloff “Screening the Page/ Paging the Screen: Digital Poetics and the Differential Text” http://marjorieperloff.com/essays/digital-poetics-and-the-differential-text/ Barbara Bordelajo “Get Out of My Sandbox: Web Publication, Authority, and Originality,” in Examining Paratextual Theory and its Applications …

Week 12 March 29, 2018

As promised in January (!), the revision to this week’s focus: Text/Textile/Wearable In our continued exploration of nonstandard text technologies or how we write ourselves in spaces and materials beyond the page (or screen), we turn to wearable technology. In our google drive you will find the introduction and chapters 3, 4, and 5 from …

Week 13 April 5, 2018

Contemporary Explorations of the Textual Condition, Part One Genome Writing 1.Christian Bok Xenotext (2015) 2. Lyn Hejinian “Barbarism” (318-336) from The Language of Inquiry (California, 2000) PDF 3. Dan Weiskopf “Monstrosity, Spectacle, Wonder” Brooklyn Rail 2017 Textual Practice: Miranda on cryptography. Miranda writes, “The study of ciphering and deciphering has disrupted patterns of dominant literacies …

Week 14 April 12, 2018

Contemporary Explorations of the Textual Condition Through our feminist and media archaeology approach to nonstandard textuality, we have been building a history of writing that is not exclusionary but rather is inclusionary.  This history has included examination of graphic textiles such as women’s needlework (Karen Kruger), memorial engravings, weavers and circuit builders (Lisa Nakamura), wearable …

Week 15 April 19, 2018

 Final Day of Class. Remember that your final papers are due 4/26 Due at  7:10pm in your Google Drive submission folder. Submit as Word or Google Doc. If you want written feedback from me, do not submit the essay as a PDF. In class today: presentations of your Textual Practice Portfolio (which is due on this …

Week 16 4/26 No Class Final Papers Due

No class. Final Papers Due (This term paper is a draft journal article for submission  (no more than 4000 words for MA students and 7000 words for PhD students) to a journal you’ve identified as appropriate (and for which I’ve okay[d). I am happy to set up with you an individual paper conference to talk …