2\/1\u00a0 \u00a0 \u00a0 Manuscript Text Technology<\/b><\/p>\n
Michael Camille “Sensations of the Page: Imaging Technologies and Medieval Illuminated Manuscripts<\/a>”\u00a0 (33-54)\u00a0 from The Iconic Page in Manuscript, Print, and Digital Culture.<\/em> Eds George Bornstein & Theresa Lynn Tinkle. University of Michigan (1998)\u00a0PDF<\/p>\n William Endres “More than Meets the Eye: Going 3D with an Early Medieval Manuscript<\/a>” published in the proceedings of The Digital Humanities Congress 2012.<\/p>\n <\/p>\n Textual Practice Presentation<\/a> One:\u00a0 typewriters<\/p>\n Stephanie writes: “The typewriter was manufactured in the arms factories following the Civil War and the Industrial Revolution. The first typewriter was invented in 1867 by Christopher Latham Sholes.\u00a0After providing some historical context (forerunners; the influence of Samuel Morse and Alfred Vail; the development of the technology in Europe and US; the monetizing and commodification of the textual practice), I will focus on the materiality of telegraphy. This includes explaining the key-and-tape system, the networking of wires, and the importance of the role of the telegraph operator. Throughout, I will structure the discussion around binaries. Specifically, I will discuss the following binaries as inherent in the textual practice of telegraphy: presence\/absence, encoding\/decoding, readership\/authorship, producer\/consumer and public\/private. \u00a0<\/span>Finally, I\u2019ll briefly connect telegraphy to modern textual practices (namely, social media\/microblogging\/texting). The students will then practice with a Morse Code Key simulator to replicate the experience of a telegraph operator encoding text.”<\/span><\/p>\n Stephanie Hawthorne Typewriters vis aid<\/a><\/p>\n