{"id":133,"date":"2018-01-10T00:23:40","date_gmt":"2018-01-10T00:23:40","guid":{"rendered":"https:\/\/sites.wp.odu.edu\/texttech\/?page_id=133"},"modified":"2018-03-22T20:28:48","modified_gmt":"2018-03-22T20:28:48","slug":"week-11-march-22-2018","status":"publish","type":"page","link":"https:\/\/sites.wp.odu.edu\/texttech\/weekly-schedule\/week-11-march-22-2018\/","title":{"rendered":"Week 11 March 22, 2018"},"content":{"rendered":"<p><strong>Media Ecologies<\/strong><\/p>\n<p>Part I<\/p>\n<ol>\n<li>Annette Vee \u201c<a href=\"http:\/\/enculturation.net\/node\/5268\">Coding Values<\/a>\u201d <em>enculturation: a journal of rhetoric, writing, and culture<\/em><\/li>\n<li>Nick Montfort <em>Taroko Gorge <\/em><a href=\"https:\/\/nickm.com\/taroko_gorge\/\"><em>https:\/\/nickm.com\/taroko_gorge\/<\/em><\/a><\/li>\n<li>Marjorie Perloff \u201cScreening the Page\/ Paging the Screen: Digital Poetics and the Differential Text\u201d <a href=\"http:\/\/marjorieperloff.com\/essays\/digital-poetics-and-the-differential-text\/\">http:\/\/marjorieperloff.com\/essays\/digital-poetics-and-the-differential-text\/<\/a><\/li>\n<li>Barbara Bordelajo \u201cGet Out of My Sandbox: Web Publication, Authority, and Originality,\u201d in <em>Examining Paratextual Theory<\/em> <em>and its Applications in Digital Culture.<\/em> ed Desrochers, Nadine. (15 pages) PDF in google drive<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p>Part II<\/p>\n<ol start=\"5\">\n<li>Amaranth Borsuk <em>Between Page and Screen (text book)<\/em><\/li>\n<li>Amanda Starling Gould \u201cInvisible visualities: Augmented reality art and the contemporary media ecology.&#8221; in<em> Convergence: The Journal of International Research into New Media Technologies. <\/em>20.1 (25-32) [this pdf is in google drive]<\/li>\n<li>\u201c<a href=\"https:\/\/www.wired.com\/story\/the-curious-comeback-of-the-dreaded-qr-code\/\">The Curious Comeback of the Dreaded QR Code<\/a>\u201d<\/li>\n<\/ol>\n<p>Textual Practice: D&#8217;An on VR<\/p>\n<p>D&#8217;An writes, &#8220;<span style=\"color: black;font-family: arial, helvetica, sans-serif\">How do we compose in virtual spaces? How are we\u00a0<\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\"><i>composed<\/i><\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\">\u00a0in virtual spaces? To what degree do sensory information and perception determine the world we construct, the worlds we write in code and shadows? The answers depend on how we parse and produce the terms\u00a0<\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\"><i>virtual<\/i><\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\">\u00a0and\u00a0<\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\"><i>reality<\/i><\/span><span style=\"color: black;font-family: arial, helvetica, sans-serif\">. Virtual Reality (VR) is a text that is composed primarily of cognition and perception. And it is jointly rendered in experience. The material, aesthetic, and narrative engagement of this textual practice will be explored through both historical to current theory and practice. Touching on many connections to past and present works we\u2019ve covered this semester, negotiations of authorship condense into new semiotic identities in VR that are distinctively crafted in this multimodality, surpassing mere representation.&#8221;<\/span><\/p>\n<p>Here is a link to D&#8217;An&#8217;s visual presentation materials:\u00a0\u00a0\u00a0<a href=\"https:\/\/experiments.withgoogle.com\/webvr\">https:\/\/experiments.withgoogle.com\/webvr\u00a0<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Media Ecologies Part I Annette Vee \u201cCoding Values\u201d enculturation: a journal of rhetoric, writing, and culture Nick Montfort Taroko Gorge https:\/\/nickm.com\/taroko_gorge\/ Marjorie Perloff \u201cScreening the Page\/ Paging the Screen: Digital Poetics and the Differential Text\u201d http:\/\/marjorieperloff.com\/essays\/digital-poetics-and-the-differential-text\/ Barbara Bordelajo \u201cGet Out of My Sandbox: Web Publication, Authority, and Originality,\u201d in Examining Paratextual Theory and its Applications &hellip; <\/p>\n<p><a class=\"more-link btn\" href=\"https:\/\/sites.wp.odu.edu\/texttech\/weekly-schedule\/week-11-march-22-2018\/\">Continue reading<\/a><\/p>\n","protected":false},"author":8605,"featured_media":0,"parent":79,"menu_order":11,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/pages\/133"}],"collection":[{"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/users\/8605"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/comments?post=133"}],"version-history":[{"count":6,"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/pages\/133\/revisions"}],"predecessor-version":[{"id":450,"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/pages\/133\/revisions\/450"}],"up":[{"embeddable":true,"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/pages\/79"}],"wp:attachment":[{"href":"https:\/\/sites.wp.odu.edu\/texttech\/wp-json\/wp\/v2\/media?parent=133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}