Category Archives: Mace and Crown

Ghosts in the Margins: Buried and Renowned Tales from the Archives

By Ella Hathaway, Special Collections Student Assistant

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Mace and Crown Weekender cover “All Hallows Eve”

“The Demented Lover of Lake Drummond”

Within ODU’s Special Collections and University Archives lurks not just any eerie old literary tale, but a rather local one.

Even without the presence of ghosts, the Dismal Swamp is a bizarre enough anomaly on its own, possessing a reputation for various disappearances throughout the years, with one even as recently as 2024. In fact, the archive houses an undated black-and-white video news report from a local station, WTAR, now known as WTKR. The report covers two lost marines who were last seen searching for missing hunters within the swamp.

The swamp is also known for its weird science and biological oddities. According to former ODU Professor Betty Yarborough, whose rare book The Great Dismal is stored here in the archive, she writes that “within this great Natural Phenomenon…remain remnants of ancient shapes and forms of the forest primeval… some scientists have suggested that the swamp might have been created by a meteorite…” (Yarborough 1). Yarborough also notes that the swamp is home to many unusual anomalies that differ from other swamplands. For example, most swamps possess high levels of bacteria; yet, the Dismal Swamp has a mysteriously low level of bacteria production in its water, which produces its signature brownish/amber-like coloring.

There’s no surprise that the swamp’s history and peculiarities have yielded their share of folklore.  Virginia supernatural tales : Ghosts, Witches, and Eerie Doings is a novel published in 1977 by George H. Tucker. Tucker was an avid lover of local Virginia history, as he was a Maury High School graduate who penned columns for the Virginian-Pilot and was a charter member of the Norfolk Historical Society (Goodreads). Tucker’s book is imbued with popular tales and first-hand accounts of witches, hauntings, prophetic dreams, and other bizarre happenings local to Virginia. A particularly beckoning tale was one by the name of “The Demented Lover of Lake Drummond”. 

The Great Dismal Swamp’s marsh-laden wetland extends from Suffolk, Virginia, all the way to North Carolina, and at its heart lies Lake Drummond, the “large cypress-bordered body of clear brown water” (Tucker). Tucker’s book recounts a centuries-old story of a young indigenous girl who lived on a farm (in what’s now considered Chesapeake) who contracted malaria and tragically died while her lover was away. When her lover returned, his grief for her drove him to delirium. Determined he could find his lost lover within the depths of Lake Drummond, he constructed a fragile raft of dead branches. As he sailed through the lake, his brittle raft disintegrated, leading him to drown. Since the story’s occurrence, countless trappers and woodsmen have claimed to have witnessed the spirits of the two lovers paddling a “spectral white canoe on dark and silent nights” (Tucker). This story, as Tucker states, is the only known Virginian ghost story to ever be written about internationally. Tucker then includes the poem written by Irish author Thomas Moore about the ghost story that haunts our very own Great Dismal Swamp. 

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“Demented Lover of Lake Drummond” excerpt from Virginia supernatural tales : Ghosts, Witches, and Eerie Doings, 1977

Despite its uncanny qualities, the Dismal Swamp has been home to special wildlife and scientific miracles for thousands of years, and was even a refuge for thousands of enslaved people before the Civil War. Numerous conservation efforts have been made to preserve our Dismal Swamp, and many reports of these efforts can be found here in the archive as well!

LGBTQ+ Ghost Stories

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Our Own Community Press Article “Halloween Special: Gay Ghost Stories” 1989

In an October 1989 issue of Our Own is a headline titled “Halloween Special: Gay Ghost Stories”, written by Sabina Ayne. The publication contains 5 brief tales. 

One of these stories is titled “Radiant Boy”. The article described the boy as a glowing apparition who appeared to gay men in the middle of the night. Seeing this boy was supposedly a foretelling of your eventual passing. The article introduced Captain Robert Stewart, who was caught in a thunderstorm and took refuge in a “nobleman’s home” (Ayne). During the captain’s slumber, he suddenly awoke to find that the “entire bedchamber was aglow with an eerie light” (Ayne). The captain suddenly saw the glowing boy, who shortly vanished. Years later, the captain went on to gain “wealth and esteem” but died tragically by his own hand (Ayne). 

Upon some research, the “nobleman’s home” the captain took refuge in could have likely been the Howard Family Manor, home to John Howard. Ian Topham, a paranormal researcher of over 25 years, notes that “Traditionally the radiant boy was associated with the Howard family, if seen by a family member that person would rise to a position of great power but meet a terrible end.” (Topham). In fact, John Howard himself supposedly recorded his sightings of the ghost-boy in his own journal. 

Another tale within the article tells of a young girl from Scarborough, England in 1600. The girl would frequently visit and help out at a local farm. However, the girl began sneaking off into the hayloft with the farmer’s daughter. When the farmer eventually caught the two girls together in the hayloft, he was livid. The girl was met with “furious accusations of witchcraft” and forced to leave town (Ayne). She  returned to town a few years later to gather mushrooms, but was never seen again. There has since been speculation over what may have happened to the girl. After her disappearance, there were multiple supposed sightings of the girl’s ghost wandering from the farmer’s house towards the hayloft, where she would then disappear. 

To read more of these stories, browse the Our Own Community Press collection in our digital archive! 

Ghent Apartment Haunting

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Mace & Crown article “My Apartment is Haunted by a Ghost” 1989

An article written by one Brian Powers in the October 1989 issue of the Mace & Crown is titled: “My Apartment is Haunted by a Ghost”. Powers described his experience living in one of the old apartments in Ghent, Norfolk, that was “…built in 1916…equipped with black iron fire escapes and steam heat…” (Powers). Powers noted that the first time he noticed something strange unfurling was when he had heard his roommate, or what he thought was his roommate, “come down the hallway” (Powers). However, Powers soon realized his roommate wasn’t even home. He began to notice kitchenware out of storage despite never being used, the same picture repeatedly falling every now and again, and even socks magically moving into other rooms. At first, Powers felt extremely paranoid, and “that anything misplaced was a deed by a ghost. It gave me the creeps” (Powers). However, Powers came to accept his new roommate, even claiming the ghost had tried to fix his broken doorknob! 

However true Powers’ ghost story may be, there’s no question that Norfolk (and many other areas of Virginia) are home to historic, out-of-shape buildings. Whether or not ghosts exist, there is still something especially harrowing about being inside a building that has housed visitors for centuries. This is why it may come as no surprise that other historic buildings in Norfolk and beyond have been subject to ghost sightings. Some known locations in Norfolk with alleged unearthly occurrences include the Myers Historic House, the Freemason Abbey Restaurant, and even the Wells Theater (Floyd). 

Other local cities, such as Portsmouth, take advantage of their haunted houses. As it happens, Portsmouth hosts a “Ghostwalk”; a tour of various historic houses that are supposedly haunted. This event has been long-running, as there were even murmurings of the Ghostwalk in a 1986 issue of the Mace & Crown. Even if you don’t believe in ghosts, the many aging and lively structures around the area serve as a befitting setting for the Halloween season! 

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“Ghost Walk” 1986 issue of the Mace & Crown

Sources:

  • Ayne, Sabina. “Gay Ghost Stories.” Our Own Community Press, Oct. 1997.
  • Floyd, Sarah. “Haunted Norfolk – VisitNorfolk.” VisitNorfolk, 15 Sept. 2023, www.visitnorfolk.com/blog/haunted-norfolk/. Accessed 10 Oct. 2025
  • “George Holbert Tucker.” Goodreads.com, 2021, www.goodreads.com/author/show/241574.George_Holbert_Tucker. Accessed 14 Oct. 2025.
  • Ian. “Corby Castle – Mysterious Britain & Ireland.” Mysteriousbritain.co.uk, 26 July 2008, www.mysteriousbritain.co.uk/hauntings/corby-castle/. Accessed 10 Oct. 2025.
  • Powers, Brian. “My Apartment Is Haunted by a Ghost.” Mace & Crown, 26 Oct. 1989.
  • Tucker, George Holbert. Virginia Supernatural Tales: Ghosts, Witches, and Eerie Doings. 1977.
  • Yarborough, Betty. The Great Dismal. Norfolk County Historical Society of Chesapeake, Virginia, 1965.

A Radiating Presence: Looking back at a 1969 interview with James Earl Jones in the ODU student newspaper “The Mace and Crown”

By Special Collections and University Archives Graduate Assistant, Daniel Conner

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Photograph taken from the February 13, 1969 edition of the student newspaper the Mace and Crown picturing James Earl Jones during his 1968 The Great White Hope performance.

Few actors have a voice as recognizable and beloved as James Earl Jones. For many, or at least for myself, his career extended into childhood memories through his distinctively voiced roles of Mufasa in The Lion King and Darth Vader in Star Wars. Others may remember him from classic films like Coming to America, The Hunt for Red October, Patriot Games, The Sandlot, and Field of Dreams. No one can deny his impact on American culture over the past 50 years.

Sadly, Jones passed in September of 2024, but he gifted the world an incredible legacy that I’d love to celebrate in this post. Specifically, I’ll be referring to a 1969 Mace & Crown article by Richard L. Lindell, II, “Jones: a radiating presence,” which includes his personal interview with Jones during his headline Broadway run with The Great White Hope in 1968.

Lindell began his article by contextualizing Jones, an actor yet to pierce into the mainstream. Prior to Jones’ massive cinematic successes, he was a renowned Shakespearean actor who starred in a variety of Joseph Papp’s New York Shakespeare Festival productions. From there, Jones managed to receive a few small roles in large films, such as Dr. Strangelove, but it was his theater performance in The Great White Hope that ultimately opened doorways for Jones, including the 1970 film of the same name. For those who have yet to explore the film or play, it’s a dramatic portrayal of Jack Johnson (renamed Jack Jefferson and played by Jones), a Black boxer widely considered to be an unstoppable force during the height of the Jim Crow era in the early twentieth century. At the time, white fans and journalists resented Johnson’s success against white boxers, leading to their search for a “Great White Hope.” Additionally, Johnson’s victories catalyzed race riots throughout the United States, bringing to question how a Black person could be successful in a world built in opposition to them. The boxer represented a trough of ideals that transcended the world of boxing, embedding him in American society for years to come.

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Photograph taken from the February 13, 1969 edition of the student newspaper the Mace and Crown picturing “Jane Alexander, James Earl Jones, and Jimmy Pelham (background) in The Great White Hope.

Taking a step out of the history and into the interview, James Earl Jones was incredibly keyed into the story of Jack Johnson and how vital he was as Black role model. In a world of integration, Jones sought the continuation of Black individuality and expression that could easily be suppressed in a society lacking Black representation.  Jones said, “That’s one of the things I like about playing Jefferson. He’s a Negro and makes no bones about it. He is not affected by the white man’s world around him until he wins the championship. By winning the championship, he is required to do things according to the white man’s way. He does not want to do this so, of course, he has a good deal of trouble in making the adjustment.” Jones preached the imbuement of Black culture into roles played by Black actors, in the hopes of increasing representation and relatability to these plays and films. Jones’ sentiments came from an observed loss of Black expressiveness from role models, pointing out civil rights activist Julian Bond as a prime example. Jones said, “But that Julian Bond. He’s something unreal. He doesn’t exemplify the Negro at all. All that cool and suave approach to things. A Negro has all these deep and inherent feelings of passion within and to stunt them with the Julian Bond approach doesn’t get it. There shouldn’t be all these attempts to shunt these feelings. Let them come out.” Many of his role models, such as Malcolm X and Otis Redding, were preachers of Black expression, and in X’s case, he feared the silence that came with integration. These influences played into his performance, but no experience likely had more impact than his childhood.

Jones was born into extreme poverty, only managing to escape it when his mother surrendered Jones to his grandparents. After his adoption, Jones remained virtually mute for years. It was precisely these painful experiences that fed into the passion Jones so confidently spoke of. For the final quote in Lindell’s interview, he asked Jones about a scene in The Great White Hope where Jones was required to completely break down. Jones said, “A whole battery of impulses hits me at that moment. I’m thrown back into my childhood. In a moment like that, I’m asked to bare myself, my soul, through acting. That’s not something I could fake. I know if I go, the audience goes. It has to happen.”

Mace and Crown Staff at work 1960s
Interviewer and Mace and Crown staff member, Richard L. Lindell, II (left) at work. Old Dominion University Photographic and Multimedia Collection

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